BAD TASTE! LOUD RIFFS! TOO MUCH CUM!
Dragonland
Dragonland elevate the power metal archetype into a sprawling, cinematic odyssey of celestial proportions.
Saltatio Mortis
Saltatio Mortis bypass the gates of convention to deliver a cinematic, immersive landscape of folk-metal excellence.
Wolves At The Gate
A staggering, atmospheric triumph that transmutes heavy metal into a visceral journey through spiritual and physical decay.
Deafheaven
A sprawling, atmospheric descent into the hazy intersection of blackgaze and post-metal, where texture often triumphs over technical precision.
Godflesh
Godflesh inhabit a bleak, industrial landscape where sludge meets the ghost of heavy metal in a punishing sonic purge.
Half Me
A fractured, high-octane fusion of industrial textures and progressive metalcore that pulses with visceral urgency.
Kamelot
Kamelot deliver a lush, symphonic odyssey that feels more like a gilded cage than a journey of liberation.
Avantasia
Avantasia deliver a towering achievement in power metal, blending cinematic scope with uncompromising melodic intensity.
Bal-Sagoth
A bloated, self-indulgent odyssey that prioritises cosmic window-dressing over genuine sonic weight.
Freeze the Fall
A transcendent journey through atmosphere and aggression, where heavy riffs meet haunting melodies in a flawless sonic tapestry.
Dark Sarah
A masterclass in cinematic weight, where gothic atmosphere meets punishing precision.
We Came As Romans
We Came As Romans trade jagged aggression for a more atmospheric, textural exploration of melody and mood in their latest effort.